x
ANDY WELLAND
x ANDY WELLAND
IMPORT EXPORT
Warwick Court
ST. PAULS, LONDON
Warwick Court (also known as 5 Paternoster Square) is a prominent 180,000 sq ft commercial and office building located next to St Paul’s Cathedral in the heart of the City of London.
CURATORIAL APPROACH
The collection for Warwick Court was conceived around the building’s prominent position beside St Paul’s, drawing on Paternoster Square’s historic and contemporary associations with commerce and finance. Giles Miller’s suspended Dual sculptures use intricate gold-toned ‘penny-junctions’ to form two jewel-like structures, shifting in density and transparency as viewers move through the entrance.
Within the main reception, Christophe Gaignon’s La Belle Oxyde continues this material narrative through a reflective sculptural surface opening onto a vortex of shimmering gold. Together, the works create subtle references to coins, exchange and value, while introducing warmth, movement and reflection to the architecture.
ARTISTS:
GILES MILLER X CHRISTOPHE GAIGNON
MEDIUM:
MOULDED GLASS, METAL OXIDES
CLIENT:
STANHOPE / MITSUBISHI ESTATES
ARTIST:
ANDY WELLAND
MEDIUM:
OIL ON CANVAS
CLIENT:
REPUBLIC
SPACE:
EAST INDIA DOCKLANDS, LONDON
ARTISTS:
GILES MILLER X CHRISTOPHE GAIGNON
MEDIUM:
MOULDED GLASS, METAL OXIDES
CLIENT:
STANHOPE / MITSUBISHI ESTATES
ST. PAULS, LONDON
Warwick Court (also known as 5 Paternoster Square) is a prominent 180,000 sq ft commercial and office building located next to St Paul’s Cathedral in the heart of the City of London.
CURATORIAL APPROACH
The collection for Warwick Court was conceived around the building’s prominent position beside St Paul’s, drawing on Paternoster Square’s historic and contemporary associations with commerce and finance. Giles Miller’s suspended Dual sculptures use intricate gold-toned ‘penny-junctions’ to form two jewel-like structures, shifting in density and transparency as viewers move through the entrance.
Within the main reception, Christophe Gaignon’s La Belle Oxyde continues this material narrative through a reflective sculptural surface opening onto a vortex of shimmering gold. Together, the works create subtle references to coins, exchange and value, while introducing warmth, movement and reflection to the architecture.
CURATORIAL APPROACH
Andy Welland’s works bring graphic energy and a sense of play to Republic’s interiors. Bold shapes, looping gestures and fragments of pattern overlap in compositions that balance spontaneity with a strong visual structure.
The selection responds to the character of each setting. In the shared lounge, vivid pink, blue, yellow and green sit alongside pale timber and colourful upholstery. In the meeting space, an expansive monochrome work introduces rhythm through sweeping black forms and contrasting areas of white.
Together, the works connect the campus’s different environments through a shared language of shape and movement, giving each space its own distinct atmosphere.